Botanical Prints

Recently I visited the studio of Monika de Vries Gohlke, a German born botanical artist who has applied the art of printmaking to botanical portraiture.  Monika works from real life specimens while engraving her copper plates from her home garden in Brooklyn as well as from inspirational plant-life found at the Brooklyn Botanic Garden.  Her work is infused with a European sensibility with a strong consideration for composition and romanticism, referencing the great German, Dutch and French 18th and 19th century master botanical artists.  Especially with the application of aquatint engraving, the dichotomy of sharpness in the line and edge with softness of subject constantly challenges the eye and feeds the emotions.  These are masterfully printed original works on paper with a unique stylistic interpretation, definitely contemporary and distinctly her own.

"Rosa micrugosa"

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Financial Times-FT.COM Article

Exciting mention of Lizzie Sanders and Kate Nessler’s work as part of Prince Charles’s Highgrove Florilegium in “The Prince’s Prints” by Tim Richardson, published on May 21, 2011.

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Kate Nessler’s Edges

"Peonies" Edge Painting

Watercolor, pencil and dried specimens on Kelmscott vellum, including specimens in transparent vellum handmade envelopes. Vellum attached with linen thread hand-sewn on museum board.

Welcome to my first blog post! Here you will find what excites me about botanical painting from original works to museum exhibitions and reference books on the subject. Enjoy!

Kate Nessler has a fantastic series of new works called Edges. Kate has incorporated pressed plants along side partial to fully rendered drawings of the same image. These images are mounted and drawn on “edges” of vellum sheets, showing the crudeness of the skins. By painting and adhering specimens onto this type of surface, Kate is celebrating the organic nature of the skin and forcing one to recognize the beauty of nature. Please visit my website to see many of these pieces with full descriptions.

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